I’ll be traveling for the next week. I might have enough access for sporadic updates, but until then, enjoy the blogroll and the following links.
More great coverage of PhotoEspaña–this time on landscape photographers–from WMMNA. I found at least two projects I didn’t know about–by Joachim Koester and Simon Starling–that look worth more time […]
Image © Harri Pälviranta.
The fastest flash ever created.
Regina Hackett looks at pigeons looking.
X-ray tour of a Greco-Egyptian mummy. (via C-Monster)
A show I wish I could see: “This Side of Paradise” at the Huntington Library in LA.
We Make Money Not Art’s top selections from PhotoEspaña, including Harri Pälviranta’s great documentary work on Finnish barfighting–which is […]
Image © Rafal Milach.
Great photo selections from FotoGrafia and World Press Photo 2008 over at We Make Money Not Art.
How to make three-dimensional animals from print advertising. Or virtual three-dimensional animals, anyway.
Paul Fusco describes the happy accident that became RFK Funeral Train.
Tattoos and the NBA: “At one time, people got tattoos to be different, […]
It looks like I’m not the only one who was made a little queasy by Tim Barber’s “Various Photographs.” Others include Robert Wright, who also felt the depressing implications of authorlessness in the show, and Jörg Colberg, who was simply disgusted. (According to Wright, even Barber shrugged off responsibility for the thing.)
While I […]
For those of you hitting up the inaugural New York Photo Festival this weekend, I’ve done a quick run-through and picked out favorites among the exhibits. Unfortunately, I didn’t have as much time as I would have liked–I had to catch a train down south, so I only had about 2.5 hours there. […]
Despite the unimpressed response from the blogosphere (see here and here), I think this year’s AIPAD marks a significant improvement over last year’s. AIPAD ‘07 sticks in my mind as a bunch of galleries trying to sell the same non-vintage Kertesz and Lartigue prints around every corner. While there’s still plenty of late […]
